Feeds:
Posts
Comments

all the times

All The Times

still life

Still life

Maybe it all is folklore

or folk – lure

a  visual vocabulary;

something chambered.

tapered and funneling

authentic

Shadow me in home

I might; I ought

I fear.

It was a heavy moment

Seeing and putting:  the shade drawn

Was I sardonic?

Distilled?

When I was a girl; the prayer leapt away

All of those associations: the lush

There are no ordinarys.

Spoon; crown

Tooth; sword

Don’t face away.

If I were someone else; I’d never know

this.

© Umansky 2010

What One Delivers

knucklewalking

The Truth

the truth

Part of the Story

Part of the Story

1.

From another character

This could be defiance.

But I, I want something gentle.

2.

Only humans have the ability to create extinction:              so, that’s, this.

No. There will be no feeding in-flight – do we look like Barn Swallows?

A small idea:  love is love.  No artificiality.

3.

I remember it, too.

Inside this, there was always the outside harvesting in.

Random.

Burning.

Discursive.

Cannabilistic, even.

In order to survive:  think hibernation.

Think: kindling

and blue.

© Umansky 2009

untitled

untitled (C)

The Revision of Love

The Revision of Love

In my hands, The Razor’s Edge would be a brutal piece – a heartbreaker – full of magic and lore, and the finding of one’s self would be an easy task for love always conquers.  There is no red cloth, or Spanish bull – no fight.  We need not kick up dirt, for that story would be encased in gold, but not pure gold (tarnished, etched, shoddy, bruised gold, but gold nonetheless). Gold cradled, fostered, wined and dined.  That story would be so loved it would lose its rigor, its sting. Nullfied. Dullified, plainfolked out. That story would be unbeknownst to you or me or anyone.

ALERT TO ALL THE READERS OF THE WORLD: – BE PASSIONATE, BE TRUE, AND BELIEVE IN SOMETHING OTHER THAN DOUBT.

In my hands, The Razor’s Edge would need no security. I’d like that story to perfection and I’d watch its casing shine, like cleaned fur gleaming.  I’d unknot that drama to simplicity.

(c) Umansky 2009

To the Custodian of My Heart

You are the one. Gatekeeper. Seer. Wise one, you will dispose of all the others. Could the past be buffed, you would do it, and with ease. The way you would carve, peel the yellowed skin back; peel the layers and layers and layers. Yes, it would stink – the past is a stinky thing – but, Bearer, suffocate the foul and beat down the wicked.  You: the one truth. You-  keep the red, red and the blue,  away. Tell me, how I love.  I’m almost thirty and I do believe the heart knows one. Oh, do be gentle with the past; though it is bitter, crude and sharp. Do not murder. Puncture it – yes.  Let it play on the wall.

Now, put me to my bed.

Blanket me and blanket me and blanket me.

(c) Umansky 2009

How to Use the Dead

 

How to Use the Dead

 

1.

 

Invent a contrast – stir shit up.

 

 

 

2.

Milk it.

 

And dancing (maybe even seduction – a sashay or two?) Maybe even a purring:

please/please/please

 

 

3.

 

Use the supposed. Find what is husbanded in: 

                       

faucets, drains, sills,  the threadbare, handles, footpaths, half-chewed pencils, hardback books, tin forks, the tarnished, diamonds, the spat-on,  the rusted.

 

 

                                                            *

 

 

Well come on you all –

 

 

How does one do this?

 

 

There is only so much exploration I want on two feet.

 

 

Give me an oar, and a muse or two.

 

 

No, make it a siren.

 

 

I want me one of them.

 

 

 

© Umansky 2009

Dear Little

Dear Little